When it opened in 1977, Star Wars revived the old-fashioned swashbuckling adventure film. Within a few years, National Public Radio made a bet that it could do the same for the radio drama.
You have shared a post that offers payment for clicks.
To receive credit and payment, please sign in.
Learn more about paid sharing
by signing in you agree to the terms of use
create your account
I just want to read stuff
Awesome. Browse pages and subscribe to the ones you like.
I want to post and earn money
Create a page about something you're passionate about and post links to articles, stories and more. Trunqd is 100% free to use, and we will pay you 80% of all ad revenue on your pages. It takes less than 60 seconds to sign in and create your first post.
I want to advertise
You can create an ad on any page within seconds.
sign in with facebook
If you prefer to sign in with email, click here.
create new subaccount
When it opened in 1977, Star Wars revived the old-fashioned swashbuckling adventure film. Within a few years, National Public Radio made a bet that it could do the same for the radio drama.
In each of his ten features so far, Tarantino has bundled all this material into packages describable most succinctly with the adjective Tarantinoesque, which the Oxford English Dictionary defines as "characterized by graphic and stylized violence, non-linear storylines, cineliterate references, satirical themes, and sharp dialogue." Tarantino's latest film Once Upon a Time... in Hollywood (subject of its own INSIDER video essay) exhibits all those qualities, and both critical and audience response so far suggests that we have yet to tire of the Tarantinoesque.
